The truth? A spectrum analyzer is one of these tools. SPAN is my favorite spectrum analyzer.
7 Free Plugins That Will Improve Your Mixes
I wrote this tutorial in – the methods are the same, but the tools have improved. Intro Every mastering engineer has got his own style. I want the music to sound loud and alive with special attention to the bass. No clipped square waves, stereo-phase problems, super-high frequencies and rumble below 20hz. Mixdown preparation Make sure the mixdown has enough headroom and isn’t clipping, because what is lost, can’t be restored.
A good gain-structure for using a digital mixer is to start with all faders at db. When you’re done mixing, the final master bus should peak around -6db , that way most digital mixers sound fine.
Generally, a great master starts with a good mixdown. I listen to the tune and decide which of the above steps are necessary. Since most dance music is produced in-the-box these days, I prefer to use digital mastering. Also, if a client wants corrections, the whole project is recalled with one click. I’m using Steinberg Cubase as mastering software.
The audio plugins mentioned below are my favourites for each task, just translate the method to your own VST plugin choices. To demonstrate my method I chose a recent track of mine called “Supernatural II”. On the left you can see the plugin chain used to master this tune. For demonstration purposes I made a loop from the track and switched on each plugin during every cycle. Listen to the plugin chain Download plugin chain WAV Clean up I like to cut all frequencies below 20hz, as there’s usually Vinyl rumble from sampling , DC offset problems crazy vst plugins and synthesizer wobble LFO modulations for instance.
I try cutting as much as I can without losing any important fundamentals of the sub-bass. For this track I highpassed at around 30hz. Equalize I use 3 equalizers in a row for tonal shaping.
That might sound like a lot of equalizing – I just use the advantages and special touches each EQ has. I often leave the cut-Filters engaged, as they add a tiny little phase-shift that makes the signal come alive. The high-end boost is also one of the best in the plugin world, as the whole EQ upsamples internally to achieve it’s smooth response along with the gentle curves.
I only use the mid-range EQ controls to bring out the signal broadly at 1khz to enhance the vocal. There also were some resonant peaks around 5khz that I’ve reduced because of harshness.
Special processing This channel strip adds a phase shift in the lower frequencies, it “warms up” anything you pass it through. The file below is created with a normal and phase-inverted signal to highlight the 88RS processing – very low volume, as it’s only the changed signal. Since this plugins also upsamples internally to khz, the high-end boost just sounds right. I’m pretty careful with stereo plugins as they can cause phase-problems, but sometimes a broader image is enhancing the music.
Color In-the-box mixes can sound sterile. This cute little Voxengo Warmifier plugin emulates several tubes and their characteristic behaviour. For mastering I use my favourite 12AX7A tube as it adds the right harmonics for bass and smoothes out hard attacks. Make sure the plugin is switched to “High-Quality” and Linear-phase mode, so the phase changes are minimal. Please note, this plugin is veeery subtle.
Saturate The following is a Simon V special: To approach the final volume of the mastered track, I use a combination of bass equalizing and saturation.
My method is octave-based and makes the low range solid and strong. I figure out the key of the tune and exactly locate the bass, kick and snare fundamental.
In this instance I used a narrow boost at 50hz Subbass , hz Kick and hz Snare alongside a steep highpass at 20hz. This all feeds into the soft saturation of the EQ and I’m adjusting each octave to taste. If you overdo it, the saturation becomes audible, but I’m usually very surprised how much level you can get away with. Limit Voxengo Elephant is my favourite Limiter, it respects the transients, doesn’t muddy up the bass and prevents square-waves as they’re not cuttable on Vinyl.
Inspect There’s a freeware plugin called s M exoscope I can really recommend. I usually export the WAV and look at the audio in Soundforge, but with this little tool I can see what each plugin does to the signal live. It also helps to see if I’ve overdone the volume or how much headroom is left. Comparison There’s a lot of music from all kinds of genres in my reference directory which I’m comparing the final master against.
One challenge is usually the hardest: Checking if I’ve fooled myself during the mastering process. It happens to me sometimes, that’s why I came up with this idea: Take the original mixdown and try matching the volume level of the final master.
If the original mixdown sounds better at the same volume than the master, then it’s time to take a break and start fresh. If the final master sounds better than the mixdown level-matched, I’ve done a great job and it’s time to party! I also try to reserve an extra day for most mastering jobs, so I can listen with fresh ears the day after. Mixdown level-matched to compare with the Master Download level-matched Mixdown WAV Concerning the loudness war – As a mastering engineer I know how hard it is to stay out of the red-light district.
Let’s hope for the better and that in 25 years time the loudness wars will be forgotten and we’ll have a common volume standard like in the movie industry. Get your track mastered by Simon V You can hire me for mastering your music.
Universal Audio Empirical Labs FATSO Powered Plug-In
UAD Powered Plug-In Software Version is now available now as a free download. Features include UAD FATSO Jr./Sr. analog tape. bsmxbn.me bsmxbn.me Incredible but true: these folks post. Modern Seventh Sign is a Universal Audio LN Compressor clone. Power On /Off switch; GR/VU meter mode switch; Input control (Relative threshold).
The 800 and 251 Mic Models Are Here
Modeled by Brainworx. This design was turned into a convincing plugin, whereas the concept was taken to the next level. Welcome to compression nirvana and sonic bliss.
Universal Audio Releases UAD Version 4.8 Software
Finding the best VST plugins is quite a challenge in Picture walking into the world’s biggest mall. With hundreds of stores to choose from, how in the world would you know which ones are best suited to your needs?
VIDEO REVIEW: Bought new plugin, but not seeing it in Ableton Live
UAD Powered Plug-In Software Version is now available now as a free download. Features include UAD FATSO Jr./Sr. analog tape. LSP (Linux Studio Plugins) is a collection of open-source plugins currently If you want to download binaries or donate the project, please visit download page. Get UAD Teletronix LA-2A Legacy by Universal Audio and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free.