How to Mix Using Stock Ableton Effects By Charles Hoffman September 23, Mixing is a process that creates a space for the elements of your track to live in, and also creates cohesion between those elements. There are countless mixing tools available on the market in the form of plugins, but Ableton offers 5 exceptional tools that are capable of producing professional quality mixes all on their own. People always speak of attaining professional quality mixes using stock plugins, but is this really possible? Many mixing techniques use these 5 mixing tools, so the first step is to learn how they work.
3 things you have to know about Ableton Live’s Glue Compressor
How to Mix Using Stock Ableton Effects By Charles Hoffman September 23, Mixing is a process that creates a space for the elements of your track to live in, and also creates cohesion between those elements. There are countless mixing tools available on the market in the form of plugins, but Ableton offers 5 exceptional tools that are capable of producing professional quality mixes all on their own. People always speak of attaining professional quality mixes using stock plugins, but is this really possible?
Many mixing techniques use these 5 mixing tools, so the first step is to learn how they work. Working as an audio engineer requires a set of skills, and tools, that are well beyond the scope of many music producers and musicians. In certain situations, the mix may call for a completely unique processing device, but for the most part, these 5 tools will get you from point A to point B without a hitch.
It allows you to control the gain level of different frequency ranges, known as bands. EQs can be used to fit different elements of your song together like puzzle pieces. By cutting certain frequencies from one element, you provide more room for another element. Alternatively, you can boost frequencies from one element to rise above the frequencies of other elements. The EQ Eight in Ableton gives you control over the frequency, gain, and Q bandwidth for each of its eight bands.
Compressors belong to the family of mixing devices known as dynamics processing tools. Typically, a compressor is used to attenuate the volume of a signal when it passes above a certain level. One of the most common types of compression is peak compression, which is used to tame unruly transients in material such as drums, vocals, and all sorts of other instruments.
The 4 basic controls on a compressor include threshold, ratio, attack, and release. Although the standard Compressor in Ableton provides a lot regarding functionality, I actually prefer the character that the Glue Compressor delivers. Compression is one of the audio engineering concepts that people have the most trouble understanding.
If it were, the engineer would end up with a recording full of noise caused by the surface of the tape. If the signal were too strong, the tape would reach a point in which it was no longer capable of holding any more information—it would become completely saturated. The byproduct of saturation was non-linear distortion and compression. Color toggles two coloration filters on and off. The first filter is controlled by the Base knob, which determines how much the Saturator effect will be reduced or increased for very low frequencies, while the second filter is controlled by the Freq, Width, and Depth Knobs.
The Freq knob sets the center frequency of the second filter. To accurately listen to how Saturator is affecting your input signal, make sure to use the Output knob to level match the output signal level with the input signal level. If the average value of a waveform over one period is not zero, it has a DC offset.
Drive determines how much the input signal will be influenced by the other 5 Waveshaper parameters. Curve adds third order harmonics to the input signal. Depth superimposes a sine wave curve onto the Waveshaper curve and sets its amplitude. Lin works together with the Curve and Depth parameters to alter the linear portion of the Waveshaper curve.
Damp flattens signals near the grid’s origin, behaving like an extremely fast noise gate, and Period determines the number of ripples in the sine wave created by the Depth parameter. Many delays have the additional option of applying a filter to the feedback loop, which effectively creates separation between the feedback signal and the original input signal. As with the rest of the mixing tools on this list, a delay is used to create a sense of space. A short delay with a low amount of feedback is capable of making an element in your mix sound dense, while a longer delay is capable of imparting an ethereal quality.
One of the biggest mistakes that you can make with your delay is losing control of the effect it applies. Certain atmospheric music calls for long, drawn-out delays with copious amounts of reverb, but for lots of Pop, Rock, Rap, and Country music, an out of control delay will merely muddy up your mix.
To calculate the quarter note value of a delay in milliseconds ms , divide 60, by the BPM of your song. In this situation, ms is equal to the value of a quarter note playing at BPM. Moderation is the name of the game when you apply reverb, and a little goes a long way. The Early Reflections section allows you to control the modulation rate and amount applied to the early reflections.
The Shape knob below the modulation controls allows you to sculpt the prominence of early reflections, as well as their overlap with the diffused sound. The Size knob controls the size of the room… who would have guessed? A high value will provide a diffused delay effect, while a small amount will give a bright metallic sound. The Stereo knob allows you to control the stereo width of the processed signal.
At 0, the output signal is in mono, and at , your left and right monitors will output reverberant channels that are independent of one another. The Diffusion Network section creates the reverberant tail that follows the early reflections. You can apply high and low shelving filters to provide frequency-dependent reverberation decay. This section helps to say a lot about what material the room is made of.
For example, a gym has a lot of hard surfaces and would likely reflect many of the high frequencies so it would make sense to allow these high frequencies to pass through the filter section. Decay Time is one of the knobs in Reverb that has the most noticeable effect. Most beginners quickly realize they should look for the decay knob on reverb units because it will have the most drastic effect on the output signal.
Sounds with a shorter decay time are usually perceived as closer within the stereo field and in a smaller space, while sounds with a longer decay time are typically perceived as further away and in a larger space. Engaging the Flat button bypasses the Diffusion Network filters while Freeze is engaged, and toggling on the Cut button modifies Freeze by preventing the input signal from adding to the frozen reverberation.
Density affects the density of the Diffusion Network. Setting Density to a lower value produces thinner sounding echoes while setting it to a high value produces denser ones. Scale controls the coarseness of the diffusion, with higher values producing a darker sound. Reflect allows you to control the output level of the Early Reflections, while Diffuse enables you to manage the output level of the Diffusion Network.
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Thanks for reading and being an active member of the community! He is the founder of Black Ghost Audio, an audio engineering company that creates educational content for music producers. You can send him a work inquiry at charles blackghostaudio.
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The Glue Compressor is a nice inclusion to Ableton’s repertoire of effects. Ableton have partnered together with Cytomic to create an adapted. So in this video, Guido from CatandBeats will show you how to compress your drums with Ableton Glue Compressor. And he will be sharing his setting that. Ableton Live compressor has some hidden features. Do you know the oversampling function in both Glue Compressor and EQ Eight?.
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Olean Leave a Comment Hey everyone! In this video I am going over those the things and below you find a text version of this article: Fact 1:
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Watch as Scottie demystifies all the presets and parameters of the Glue Compressor including the Threshold, Attack, Release, Ratio and Make-Up Gain, Range. In this video tutorial, Dubspot instructor and course designer Evan Sutton takes a look at Ableton Live 9′s new Glue Compressor effect, which. The Ultimate Guide to Sidechain Compression in Ableton Live 9 . Fantastic SSL -bus-emulated The Glue Compressor (its standalone bit more sophisticated.